Potsdam holds 5 buildings across 6 architectural styles, a compact collection that punches well above its size. The city's catalogue is shaped by two defining presences: Erich Mendelsohn's Einstein Tower and Ludwig Mies van der Rohe, who built two early domestic works here before becoming the most influential architect of the 20th century.
The Einstein Tower is one of Expressionism's most photographed buildings — a flowing, almost organic observatory that looks like it was sculpted rather than built. Mies's Villa Urbig and House Riehl are the opposite: restrained, classical compositions that reveal the architect working through tradition before abandoning it. Brandlhuber's Antivilla — a repurposed industrial ruin with punched-out windows — brings the timeline to the present. Potsdam's architecture is a study in contrasts: emotion versus reason, preservation versus transformation.